𝗕𝗔𝗟𝗜𝗧𝗔𝗡𝗚 𝗟𝗔𝗧𝗛𝗔𝗟𝗔𝗜𝗡: "Galaw ng Dekada 2000: Sexbomb Girls, nagbalik-hataw sa entablado" ni Yannah Descalso at Jhaebilyn Pallorina

Disenyo ni: Reynald Tan

Inilathala ni: Jeliana Atabay

Petsang Inilathala: Enero 6, 2026

Oras na Inilathala: 4:07 PM

"𝘓𝘢𝘣𝘢𝘯 𝘭𝘢𝘣𝘢𝘯 𝘰 𝘣𝘢𝘸𝘪 𝘣𝘢𝘸𝘪." Hindi lang bawi, kundi panalo. 

Lubos ang pasasalamat ng Iconic Filipino Girl Group na Sexbomb Girls sa natanggap na suporta sa kanilang dalawang araw na Reunion Concert na "Get, Get, Aw! The Sexbomb Concert" mula sa kanilang mga taga-suporta nitong nakaraang Disyembre.

Labis ang galak ng SexBomb Girls sa pag sabay ng fans sa galaw at enerhiya ng kanilang old at iconic na mga sayaw noong rAWnd 1 at 2 ng concert na naging dahilan upang bumalik ang Girl Group at mag plano ng susunod na concert.

Kaya sa muling pagbabalik nila sa entablado, na tampok ang 20 miyembrong nagtanghal, muling ibinalik ng Sexbomb Girls ang musika at sayaw ng dekada 2000.

𝗿𝗔𝗪𝗻𝗱 𝟭

Sa unang araw ng concert noong December 4, 2025 sa Smart Araneta Coliseum, Quezon City ay ipinakita na ng grupo ang kanilang naturingang iconic at nostalgic performances na pinantayan ng mataas at walang tigil na enerhiya galing sa mga manonood.

Lalong kinasiyahan ng mga fans ang pagtatanghal ng ilan sa pinakamalalaking hit ng Sexbomb Girls tulad ng "Bakit Papa," "Pretty Little Baby," "Halukay Ube," at "The Spaghetti Song," na sinabayan ng malakas na hiyawan at sabayang sayaw ng mga tagasuporta sa loob ng coliseum.

"Walang gustong mag-produce. Walang kasiguraduhan. Pero tinuloy namin kasi hindi naman pera ang hangad namin," saad ni Rochelle, na nagbigay-diin sa dedikasyon ng grupo at sa tunay na dahilan ng kanilang pagbabalik sa entablado.

Bunsod ng napakaraming tagasuporta, agad na naubos ang mga ticket para sa unang araw ng concert, na sinundan pa ng Day 2 sa MOA Arena na dinagsa rin ng mga "pinalaki ng Sexbomb."

𝗿𝗔𝗪𝗻𝗱 𝟮

Sa kanilang Day 2 concert noong December 9, 2025 ay dinaluhan naman sila ng iba't ibang Filipino Artists katulad ng Rock Band na "Mayonnaise" sa song performance na "Jopay" kasama si Jopay Paguia-Zamor, na dedikado mismo ang kanta sakaniya.

Kasama rin nila ang special guests na EB Babes at Sexballs na nakasama nila sa parehong industriya at nagsagawa rin ng performance bilang sorpresa.

Hindi naman nagpahuli sa performance ang ibang artists na sina Dingdong Dantes at Arthur Solinap kasama ang Abztract Dancers, isang iconic dance group noong 90s. 

Isang ‘throwback’ ang naturang dalawang araw ng concert para sa mga pinalaki ng Sexbomb, kung saan dagsa ang mga millennials na buong magdamag nakisayaw, nakihataw at naki-"Get get Aw!"

𝗙𝗜𝗡𝗔𝗟 𝗿𝗔𝗪𝗻𝗱𝘀

Nakilala ang Sexbomb Girls dahil sa kanilang mga iconic hit songs katulad ng "The Spageti Song," "Choopeta," "Halukay Ube" at "Bakit Papa?" simula sa unang bahagi ng 2000's sa TV at sa Variety Show na Eat Bulaga na itinanghal din nila sa kanilang concert.

Dahil sa kasikatan, ang kanilang mga kanta ay maituturing patok at uso noong kanilang panahon, kinakanta sa videoke, tugtugan sa mga okasyon, at patuloy na nagbibigay aliw kahit sa bagong henerasyon. 

Bilang pagpapatuloy ng alaala at kasikatang tumawid sa iba’t ibang henerasyon, kinumpirma ng Sexbomb Girls ang “rAWnd 3: The Finale,” na gaganapin sa Pebrero 6, 2026 sa SM Mall of Asia Arena. Tampok sa concert ang isang 360-degree stage upang mas maramdaman ng fans ang kanilang presensiya.

Matapos ang ilang araw, inanunsiyo rin ng grupo ang karagdagang rAWnd 4 at 5 ng kanilang concert, na gaganapin sa magkasunod na araw sa Pebrero 7 at 8, 2026.

Higit pa ito sa isang reunion concert dahil muling pinatunayan ng Sexbomb Girls na ang galaw ng dekada 2000 ay buhay na buhay pa rin sa puso ng maraming Pilipino. Ang bawat performance at bawat kantang kanilang inawit ay nagpapaalala sa mga henerasyong lumaki sa kanilang musika kung bakit sila naging iconic.

Hindi lamang aliw ang hatid ng kanilang musika, kundi isang kolektibong alaala na nagbuklod sa mga henerasyong minsang sabay-sabay nakihataw sa telebisyon, mga okasyon, at ngayon ay sa mga kilalang arena. 

Sa bawat sabayang indak at hiyawan, muling naibalik ang saya at sigla ng isang panahon na hindi madaling makalimutan. Isang malinaw na patunay na ang kulturang popular ay patuloy na umuusbong, ngunit ang pinagmulan nito ay nananatiling buhay at hindi kailanman malilimutan, kahit pa dumaan ang bagong henerasyon.

MGA SANGGUNIAN:

[1] Llemit, K. (2025, December 10). Mayonnaise performs song “Inspo” for “Jopay” at SexBomb reunion concert. Philstar.com.

https://www.philstar.com/entertainment/2025/12/10/2493288/mayonnaise-performs-song-inspo-jopay-sexbomb-reunion-concert

[2] GMA Integrated News. (2025, December 5). SexBomb Girls deliver night of nostalgia at reunion concert. GMA News.

https://www.gmanetwork.com/news/showbiz/chikaminute/968557/sexbomb-girls-deliver-night-of-nostalgia-at-reunion-concert/story/

[3] Visayan Daily Star. (2025, December 16) SexBomb Girls reunite at sold-out concert. https://visayandailystar.com/sexbomb-girls-reunite-at-sold-out-concert/

[4] Trapane, K. (2025, December 11) Mayonnaise surprises fans with “Jopay” at SexBomb concert’s rAWnd 2. DZRH. https://dzrh.com.ph/post/mayonnaise-surprises-fans-with-jopay-at-sexbomb-concerts-rawnd-2

[5] De Guzman, A. (2025, January 3) SexBomb Girls to hold ‘rAWnd 3’ finale concert with a 360-degree stage in February. ABSCBN. https://www.abs-cbn.com/entertainment/showbiz/events/2026/1/3/sexbomb-girls-to-hold-rawnd-3-finale-concert-with-a-360-degree-stage-in-february-0926

[6] Almazan, F. (2025, January 10) SexBomb Girls announces 'rAWnd 5' of 'Get, Get Aw' Concert. GMA Entertainment News.

https://www.gmanetwork.com/entertainment/showbiznews/sexbomb-girls-announces-rawnd-5-of-get-get-aw-concert/129413/

𝗣𝗔𝗡𝗜𝗧𝗜𝗞𝗔𝗡: “Lapit o Layo” ni Gee Anne Robles

Dibuho ni: Erika Yohanne Coronel

Inilathala ni: Jadelynn Arnigo

Petsang Inilathala: Pebrero 5, 2026

Oras na Inilathala: 4:10 PM

Kategorya: Tula

Tema: Tungkol sa pagpili ng sarili sa gitna ng kalituhan ng damdamin, paglapit at paglayo ng puso.

Minsan, ang ngalan mo’y

dumadampi sa dibdib ko—

banayad, tulad ng gabing

nagbubukas muli ng alaala

na matagal ko nang isinasara.

Maamo ka,

mahinhin kung magsalita,

at may lambing na madaling paniwalaan.

Pero natutunan ko na

hindi lahat ng mabait

ay tahanan para sa pusong pagod.

Naalala ko pa ang isa—

‘yung nagsabing ako ang kanyang tahanan

ngunit ako’y iniwan sa gitna ng katahimikan.

Binigay ko ang lahat noon,

hanggang wala nang natira

kundi mga pangakong hindi tinupad.

Kaya nang dumating ka,

dala ang salita at pag-aalagang

tila handang maghintay,

naging madali ang matakot;

baka sa dulo,

ako na naman ang maiiwan.

Gusto kitang lapitan—

may init kang nakakaengganyong umuwi.

Pero sa bawat hakbang,

paalala ng sarili kong paghilom:

Hindi sapat ang lambing

para punuin ang aking halaga.

Minsan gusto kita,

minsan hindi.

At ngayon, doon ako nakatayo

sa pagitan ng paglapit at paglayo,

ng pag-ibig at paghilom—

sa espasyong hindi sigurado

pero totoo.

Dito ko natutunan:

may mga damdaming hindi kailangang ipilit,

may mga taong dadaan lang

para ipaalala

kung paano unahin ang sarili.

Sapat ka, marahil.

Ngunit ako—

ako muna.

Hanggang matutunan kong magmahal muli

nang hindi ko kailangang iligtas ang sarili ko.

𝗕𝗔𝗟𝗜𝗧𝗔: "RTC Laguna, naglabas ng Warrant of Arrest laban kay Atong Ang” ni Bridget Berin

Inilathala ni: Shaina Pajarillo 

Petsang Inilathala: Pebrero 5, 2026

Oras na Inilathala: 7:22 AM

 Naglabas ang Regional Trial Court Branch 26 sa Sta. Cruz, Laguna noong Miyerkules, ika-14 ng Enero ng warrant of arrest laban kay Charlie “Atong” Ang at 17 iba pa dahil sa kidnapping with homicide at serious illegal detention kaugnay ng kaso ng missing sabungeros, na walang posibilidad ng bail.

Ayon sa opisyal na pahayag mula kay Philippine National Police (PNP) acting chief Police Lieutenant General Jose Melencio Nartatez Jr., sinisimulan na ang implementasyon ng warrant of arrest at paghahanda ng mga tauhan at koordinasyon sa iba pang lokal na yunit ng mga polisya, habang sinusubaybayan ang posibleng lokasyon ni Ang at iba pang akusado. 

“Ang pagpapatupad ng warrant of arrest ay sumusunod sa itinatakdang proseso, at lahat ng kasali sa operasyon mula sa PNP ay obligadong sumunod. Titiyakin nila na maayos itong maisasakatuparan,” dagdag ni Nartatez. 

Samantala, ang Department of Justice (DOJ) ay matagal nang naghain ng mga reklamo laban kay Ang at ang iba pang akusado noon Disyembre 2025 matapos makumpirma na may sapat na ebidensya upang ituloy ang kaso. 

Nananatiling at-large o hindi pa nahuhuli si Atong Ang, habang ang 15 sa 18 na iba pang akusadong kaugnay ng kaso ay nasa kustodiya na ng Criminal Investigation and Detection Group (CIDG) ng PNP.

MGA SANGGUNIAN:

Untalan, S. (2026, January 14). Arrest warrant issued vs. Atong Ang, 17 others for kidnapping homicide. GMA NEWS https://www.gmanetwork.com/news/topstories/regions/972765/arrest-warrant-issued-vs-atong-ang-17-others-for-kidnapping-with-homicide-no-bail-set/story/

Rita, J. (2026, January 14). PNP starts implementing arrest warrant vs. Atong Ang, others. GMA NEWS https://www.gmanetwork.com/news/topstories/nation/972794/atong-ang-missing-sabungeros-pnp-arrest-warrant/story/

Laqui, I. (2026, January 14). Atong Ang's 17 co-accused now in police custody. Philstar https://www.philstar.com/headlines/2026/01/14/2500964/atong-angs-17-co-accused-now-police-custody

𝗕𝗔𝗟𝗜𝗧𝗔: "Discaya, umapela ng 'not guilty' plea sa graft at malversation case" ni Jhaebilyn B. Pallorina

 Disenyo ni: Erelah Janika Geniza

Inilathala ni: Shaina Pajarillo 

Petsang Inilathala: Pebrero 4, 2026

Oras na Inilathala: 10:20 AM

Nagpasok ng ‘not guilty’ plea ang kontratistang si Cezarah “Sarah” Discaya, kasama ang siyam na iba pang akusado, sa kasong graft at malversation na may kaugnayan sa umano’y ₱96.5-milyong “ghost” flood control project sa Davao Occidental ngayong Martes, Enero 13, 2026.

Sa arraignment sa Regional Trial Court Branch 27 ng Lapu-Lapu City sa Cebu, naghain ng not guilty plea sina Discaya, ang St. Timothy Construction Corp. executive Maria Roma Angeline Rimando, at walong opisyal ng Department of Public Works and Highways (DPWH) sa harap ni Presiding Judge Nelson Leyco.

Si Discaya at ang kanyang mga kasama ay inakusahan ng pakikipagsabwatan para sa pagpapalabas ng ₱96.5 milyon para sa pagtatayo ng isang proyektong revetment sa Jose Abad Santos, Davao Occidental, na diumano’y “hindi kailanman naisagawa.”

Matapos ang kusang pagsuko ni Discaya sa National Bureau of Investigation (NBI) noong Disyembre 9, 2025, at ang kanyang paglilipat sa Mactan, Cebu upang harapin ang pormal na pagdinig sa kaso matapos mapasailalim sa kustodiya ng NBI, nagpatuloy ang legal na proseso sa korte.

Bago tuluyang umusad ang paglilitis, sinikap ng grupo ng mga akusado na muling ihain ang kanilang mga mosyon, iginiit na huli nilang natanggap ang resolusyon ng korte na nagbabasura sa kanilang mosyon na ipawalang-bisa ang kaso.

Humiling naman si Atty. Paul Sato, abogado ng mga opisyal ng DPWH, ng karagdagang panahon upang pag-aralan ang iba pang legal na opsyon na maaaring isagawa ng depensa. 

Gayunman, muling iginiit ng korte na maaari pa ring makinabang ang depensa sa mga umiiral na legal na remedyo sa kabila ng patuloy na pagdinig ng kaso.

Kasalukuyang pinag-aaralan ng defense team ang paghahain ng petisyon para sa certiorari o pag-akyat ng kaso sa mas mataas na hukuman, gayundin ang paghahain ng motion for reconsideration.

Samantala, umapela si Atty. Cornelio Samaniego III, abogado ni Rimando, para sa isang ocular inspection sa proyekto sa Davao Occidental upang mapatunayan na totoong naipatupad ang flood control project.

“The project was there, it was erected, it was built. So there’s no ghost project as alleged in the criminal information. Might as well have the ocular inspection para makita, kasi nagsasayang tayo ng oras dito kung nandoon naman talaga ang proyekto,” ani Samaniego.

Sa kabilang banda, iniutos ni Judge Leyco ang 90-araw na suspensyon ng mga opisyal ng DPWH na sangkot sa kaso, maliban sa isa na napaulat na nagretiro na sa serbisyo.

Nakatakda ang pre-trial hearing ng kaso sa Pebrero 3, 2026, alas-10 ng umaga.

MGA SANGGUNIAN:

[1] Gabinete, J. (2025, December 9). Sarah Discaya surrenders to NBI amid looming arrest warrant. PEP.ph. https://www.pep.ph/news/local/190035/sarah-discaya-surrenders-to-nbi-a734-20251209

[2] Peralta-Malonzo, T. ( 2025, December 19). Sarah Discaya now a detainee. sunstar.com.ph. https://www.sunstar.com.ph/manila/sarah-discaya-now-a-detainee

[3] Perez, A. & Andales, V. (2026, January 13). Sarah Discaya pleads 'not guilty' to graft, malversation in 'ghost project' case. ABS-CBN.https://www.abs-cbn.com/news/regions/2026/1/13/sarah-discaya-arraignment-0953?fbclid=IwdGRjcAPS0RtjbGNrA9LQomV4dG4DYWVtAjExAHNydGMGYXBwX2lkDDM1MDY4NTUzMTcyOAABHkRCr1Yn5j7POq6wiU3zpIUirQBRVhcFljoNYY6tJU2fb7bQ-INtmETgmrWi_aem_Ijdum9FbRVmOE0VImM4nJg

[4] Cordova, C. (2026, January 13). Sarah Discaya pleads not guilty to graft, malversation raps. Manila Bulletin. https://mb.com.ph/2026/01/13/sarah-discaya-pleads-not-guilty-to-graft-malversation-raps

𝗦𝗣𝗢𝗥𝗧𝗦 𝗡𝗘𝗪𝗦: “Aurora Philippines Sweeps Alter Ego Esports, Seizes M7 Crown” By Dennise Ubalde

 

Layout by: Monique Baban

Published by: Shaina Pajarillo 

Date Published: February 2, 2026

Time Published: 2:10 PM

Aurora Philippines (RORA PH) delivered a historic performance on the world stage, sweeping hometown favorite Alter Ego Esports (AE), 4–0, to capture the M7 World Championship in Mobile Legends: Bang Bang (MLBB) at Jakarta, Indonesia on Sunday, January 25.

The dominant victory sealed the Philippines’ sixth consecutive M-series world title, further extending the country’s reign in international MLBB competition since Bren Esports’ breakthrough championship run at M2 in 2021.

Backed by disciplined execution and sharp in-game reads, Rora PH controlled the grand finals from the opening minute, silencing the Indonesian crowd and denying AE any momentum throughout the series.

Game 1 set the tone early as Rora PH absorbed AE’s aggressive openings and punished overextensions through crisp target control. With timely turtle takes and coordinated rotations, the Filipinos slowly choked the map, winning decisive mid-game team fights to claim the opener.

Momentum carried into Game 2, where Rora PH showcased superior draft preparation. Their lane matchups neutralized Alter Ego’s comfort picks, allowing Aurora’s core to scale freely. Every major engagement favored the Filipinos, who executed intact zoning and peel to double their series lead.

Rora’s championship composure shone brightest in Game 3. Rather than forcing early clashes, RORA PH opted for patience strategy, maintaining vision and continuously applying pressure across all lanes. Each attempted comeback by AE was pull apart by disciplined positioning and calculated counter engages.

The sweep was sealed in Game 4, where Rora PH fully unleashed its offensive rhythm. After winning a pivotal lord fight, the Filipinos marched down the midlane, to take apart Alter Ego’s remaining defenses and shattered the crystal to clinch the M7 crown in emphatic fashion.

Head coach Aniel “Master the Basics” Jiandani credited the victory to months of preparation and detailed opponent analysis, particularly Aurora’s study of Alter Ego’s lower bracket run.

“We were able to predict what Alter Ego was going to do because of what we saw from their matches in the lower bracket especially in draft and execution,” Jiandani said.

Beyond the championship itself, the triumph marked major milestones for several RORA PH players. Edward “Edward” Dapadap etched his name deeper into MLBB history, becoming only the fourth player to secure two M-series titles, a testament to his term and peak-performance.

Meanwhile, Jonard “Demonkite” Caranto and Dylan “Light” Catipon completed their championship collections. Both had previously tasted international success after winning MPL Philippines and the MSC 2022 title with Selangor Red Giants (SRG) Philippines, making the M7 crown the final piece in their decorated careers.

Aurora PH’s victory further reinforced the Philippines’ reputation as the world’s premier MLBB region not only in mechanical skill, but in strategy planning, drafting discipline and late game composure.

From Bren Esports’ M2 breakthrough to Fnatic ONIC Philippines’ flawless M6 campaign, Filipino teams have consistently defined the global meta, setting standards that other regions continue to chase.

As the M7 season concludes, Rora PH now turns its attention to the next competitive cycle with the goal of refining its strategies, sustaining excellence, and defending the country’s long-standing rule over the MLBB world stage.

REFERENCES :

[1] ABS-CBN Sports. (2026, January 25). Aurora Gaming extends PH dominance in MLBB, blanks Alter Ego to claim M7 crown. https://www.abs-cbn.com/sports/esports/2026/1/25/aurora-gaming-extends-ph-dominance-in-mlbb-blanks-alter-ego-to-claim-m7-crown-2211

[2] Philstar.com. (2026, January 26). Aurora Gaming PH stuns home bet to rule M7 World Championship in Indonesia. https://www.philstar.com/sports/2026/01/26/2503607/aurora-gaming-ph-stuns-home-bet-rule-m7-world-championship-indonesia

𝗣𝗔𝗡𝗜𝗧𝗜𝗞𝗔𝗡: “Buntong Hininga" ni Lyn Axzel G. Ganaba

 

Inilathala ni: Jellyssa Boniza

Petsang Inilathala: Pebrero 2, 2026

Oras na Inilathala: 1:53 PM

Kategorya: Tula

Tema: Ang hangganang espasyo kung saan nananatili ang mga alaala.

 

Ayon sa siyensya, 

may munting espasyo raw sa pagitan ng utak at bungo—

isang manipis na espasyong, tila buntong-hiningang

hindi matukoy ng kahit ano. 

Sa munting puwang na ito,

dito raw nagmumula ang balintataw ng ating mga alaala, 

mga larawang dumadaan sa isip,

parang aninong sumasalamin sa mata,

mga sandaling nakikita ngunit hindi nahahawakan,

at mga ngiting hindi kailanman makukuha ng litrato.

Ngunit kung tunay ngang may puwang

sa pagitan ng isip at bungo,

bakit tila lalong sumisikip ito?

na kung saan doon mismo nakaipit ang mga sandaling gusto nang isuko.

At kung sakaling ipinanganak tayong 

mas malaki ang pagitan ng isip at bungo, 

mas maluwag kaya ang daraanan ng mga alaala—

pauwi sa pintuan ng kahapon? 

O baka kahit gaano kalawak ang espasyo, 

may mga alaala pa ring mananatiling nakabitin— 

mga ngiting minsang naging atin,

at kahit pilitin,

hindi na ito kailanman mahahawakan.

𝗟𝗜𝗧𝗘𝗥𝗔𝗥𝗬: “The Privilege of Not Knowing” by Gee Anne Robles

 

Published by: Jadelynn Arnigo

Date Published: February 2, 2026

Time Published: 8:49 AM

Category: Prose

Theme: Loss of Innocence and the Burden of Harsh Reality

There was a time when the world felt gentle—when mornings smelled like hope and the days stretched endlessly without reason to rush. Back then, my biggest worry was finishing homework before sunset, not whether the future would be kind to me. I thought adulthood meant freedom; staying out late, choosing my own path, having control. But I was wrong. What I thought was freedom was really a burden disguised as choice—a constant cycle of decisions that cost too much, emotionally and otherwise. I miss the privilege of not knowing how the world truly works, of believing that life was fair, that hard work was enough, that the good always triumphed.

Ignorance, I now realize, was a kind of peace. It wasn’t stupidity—it was innocence. A soft place to rest, untouched by reality’s harsh edges. I didn’t understand what it meant to work endlessly and still not get ahead. I didn’t know that people could smile while plotting your downfall. I thought justice was blind, that kindness was its own reward, that dreams only required effort. But now I see the world for what it is—a place where systems favor the loud, where silence is mistaken for weakness, and where survival too often replaces living.

Growing up feels like slowly losing the color in everything. You start to see behind the curtain—the way money bends morality, how exhaustion becomes routine, and how so many people wear masks just to get through the day. The magic you once saw in people fades when you realize how easily they can choose convenience over compassion. You learn that apologies don’t always mean change, and that promises, no matter how sincere, can still break without reason.

Sometimes, I envy the child I once was—the one who could still look at the sky and believe it meant something, who thought home would always feel safe, who didn’t question whether people meant their words. That version of me lived lightly, unafraid of what tomorrow might bring, untouched by the ache of understanding. I miss that kind of blindness, the bliss of not having to see the cracks beneath the surface of everything.

Now, I wake up and feel the weight of knowing—the headlines, the bills, the quiet fears about the future. The world no longer feels big and full of wonder; it feels heavy and uncertain. I still laugh, still hope, but it’s a different kind of hope now—one that exists not because I believe everything will be okay, but because I need to believe it just to keep going.

I miss not knowing how cruel the world can be. I miss believing that good things always come to good people. I miss thinking love could fix what’s broken. But most of all, I miss that younger version of me—the one who didn’t carry the weight of understanding, the one who found peace in simply not knowing.

And sometimes, as the world presses harder, I wish I could return to that old innocence—like stepping back into a warm room after years of standing in the cold, even just long enough to remember what warmth felt like.